lisette oropesa husband

Deliver One of Season's Finest Performances", "Review: In 'Manon,' a Soprano Charms Her Way to the Top", "Review: Lisette Oropesa Makes 'La Traviata' Her Own", "Five Singers Named as Winners of Metropolitan Opera's 2020 National Council Auditions", "Metropolitan Opera National Council Auditions", "Roll out the superlatives: 'Caesar' is in town", "FGO serves up an entertaining and spectacular "Magic Flute", "Opera Review: SFO spins Mozart's magic in 'Le nozze di Figaro', "Lisette Oropesa to Sing Role of Nannetta in October 15 Performance of Falstaff", "Review: John Nelson Leads the Credo Festival Orchestra and Chorus in Haydn's The Creation (July 19)", "St. Matthew Passion treated as a music drama for today", "Ravinia's intimate Mozart magic remains with Conlon's well-cast "Figaro", "Food, Glorious Food: Falstaff at the Holland Festival is a Feast for the Eyes and Ears", "A Genve, Rigoletto ou la Dfaite de la Femme", "A colorful, fantastical Entfhrung at the Bayerische Staatsoper", "Parigi Opra Garnier: Il ratto dal serraglio", "Oropesa's Gilda steelt show in Rigoletto", "James Gaffigan conducts a full-blooded Rigoletto at the Concertgebouw", "N.O. In October 2012, they married in Arizona. In 2016, Oropesa performed many concert works, starting in Rome at the Accademia Nazionale di Santa Cecilia with Faur's Requiem, she then went to Baltimore to sing with Eric Owens in the Ein deutsches Requiem. [93] At the Teatro alla Scala she was slated to open the season on December 7 in Lucia di Lammermoor, but the performances were canceled due to lockdowns in Italy. Her tone turned especially limpid on the little cadenza." The acclaimed operatic soprano Lisette Oropesa was singing Violetta's 'Sempre Libera' (Always Free) from Verdi's La Traviata, as an encore for her recital at the Verdi Festival in Parma, Italy.. "[54] Shortly after, she stepped in for two performances of Rigoletto at the Paris Opera, filling in for an ailing singer. The accuracy during runs was striking, as were the highest notes, all produced with facility. She then opened the season at the Teatro dell'Opera di Roma in a new production of Rigoletto. [3] In 2014, she co-contributed to Running, Eating, Thinking: A Vegan Anthology[4] by Martin Rowe, where she talked about her weight loss journey and how she now follows a plant-based diet. [127] According to Arnold Saltzman, Oropesa "sang flawless runs and coloratura, acted in the humorous tradition of Carol Burnett, moved like a prima ballerina, and used vocal coloring for best emotional effect. Next, she performed Mahler's Symphony No. [90] On August 14, she returned to the Arena di Verona to perform in a socially distanced Rossini Concert where she was "a triumph of belcanto as an elegance of the line, in a coloratura of supreme abstraction and captivating precision". According to The New York Times, "[with the role of Nannetta], the winning soprano Lisette Oropesa, sings with effortless grace and lyrical bloom. She went onto another extremely successful debut in La traviata at the Philadelphia Opera "Oropesa manifested secure technical chopstrills, staccati, pinpoint dynamics andmost impressivelya long, sustained line that allowed her to hold the audience breathless in both Dite alla giovine and the party scene ensembles". Ive had to learn to be more efficient in practicing. It was like, the Met would hire you if youd take role A, B and C, and I would rather sing role D, E and F, and not be at the Met for a couple of years and just wait my turn, Oropesa explains. She then went on to debut at the Royal Opera House in the title role of Lucia di Lammermoor. "[84], In 2020, Lisette was set to debut the role of Rosina in The Barber of Seville at the Paris Opera, however, six of her performances were cancelled due to the ongoing 201920 French pension reform strike. She made her Met debut in a small role in Jean-Pierre Ponnelle's production of Idomeneo, conducted by James Levine in September 2006, and then sang First Lay-Sister in their new production of Suor Angelica. 8 with Yannick Nzet-Sguin and the Philadelphia Orchestra. Her pianissimo, crescendo and decrescendo were breathtaking." Ive had to learn to become more efficient in routines about everything in life, and make cuts where I have to make cuts, to not waste time on things that dont serve me.. Her "Deh vieni, non tardar" was unstrained and she managed to do a perfect martial arts flip of Figaro when she loses her temper with him later in the act". We have estimated Palau de les Arts. She was given universally rave reviews for her interpretation. Later in 2013, she sang the role of Amalia at the Washington Concert Opera for Verdi's I Masnadieri in which she "achieved total triumph as Amalia, the trill-filled part created for Jenny Lind." [76] She then went to Barcelona to perform in Rodelinda. "[72] The day after her final performance of Les Huguenots, she premiered another new role of Adina in L'elisir d'amore with a "Timbre ardent, projection homogne sur toute la tessiture, vocalises agiles, aigus scintillants. Lisette is one of the hardest-working singers I know, and yes, she has a very natural talent, but thats never enough to make it, says Opra Louisiane general director Leanne Clement, who was also a student at LSUs School of Music when Lisette was studying there. In 2015, she was a contributor to Master Singers: Advice from the Stage which includes interviews from famous opera singers about "analysis and awareness of their technique, art, interpretation and stagecraft". Lisette Oropesa (born September 29, 1983) is an American operatic soprano of Cuban ancestry. I'd have rehearsals at 10:30 a.m. and I'd have to be . She knows how to modulate her large, brilliant voice to the requirements of the part without slighting t. "[11], The end of 2013 saw a successful opening of a new production of Falstaff at the Met, conducted by Levine. "[53] This performance was recorded on video and was released to YouTube, culminating into the creation of her first album titled Within/Without. [65] She once again returned to the Los Angeles Opera to perform her signature role as Gilda in Rigoletto, "Her "Caro nome" was a veritable how-to manual on holding an audience enraptured". [75], In 2019, Lisette returned to her hometown of Baton Rouge, Louisiana to give a concert with Paul Groves called "A Starry Night with Lisette Oropesa" which was recorded for broadcast on Louisiana Public Broadcasting. She then finished the year with a performance of Rigoletto with the Teatro Real in Madrid in which she was a "Triumph". I actually didnt like choir. She was next heard in Paris for a concert of Falstaff with the Orchestre de Paris where she announced it would be the last performance of Nannetta she will sing. According to Anthony Tommasini of The New York Times, she "gave a rewarding performance" and "brought uncommon freshness to this music". "[82] In June, Lisette made her debut at the Teatro alla Scala in a new production of I masnadieri with an "Excellent debut for someone who has long been a guarantee throughout the world" [83] In November, Lisette returned to the Washington Concert Opera to perform Hamlet where she "melded dramatic sensitivity with a clean, pearly soprano. Tweet on Twitter. Oropesa speaks of her own packed schedule with love, calling it an amazing, beautiful calendar, but she and Steven still make a point to get back to Baton Rouge, where they keep a home, as often as is feasible; its important to Oropesa to find ways to give back not only to LSU but to any young artist who could use the direction and honest takes on being part of the opera world. According to Anthony Tommasini of The New York Times, she "gave a rewarding performance" and "brought uncommon freshness to this music". "Lucia is her first Royal Opera role, and the Cuban-American soprano is sensationally good. I feel like its been slow and steady in just the right way.. These included Haydn's The Creation in New York and in Cleveland;[29] the St Matthew Passion in Chicago;[30] Die Entfhrung aus dem Serail in Bellingham, Washington; and a reprise of her 2010 performance in The Marriage of Figaro at Ravinia Festival. Lisette Oropesa: "I'll be in rehearsal and I'll feel fine, I'll feel like we're back in . La traviata - Sempre libera - Lisette Oropesa. With her lyric coloratura soprano voice, [2] she has performed roles in her native Spanish . Headlining this umpteenth revival were Lisette Oropesa and Liparit Avetisyan (as Violetta and Alfredo) two singers who had considerable success in the recent new Rigoletto. She "sang with a high-class, diamantine soprano that never loses its quality". [49] She then returned stateside to Washington, D.C. where she reprised her role as Susanna for the Washington National Opera in The Marriage of Figaro. Were in our running clothes, and wed already run seven and a half miles, so, you know, whats another mile? Oropesa laughs. Her next engagement was with the San Francisco Opera in The Marriage of Figaro. Thtre des Champs Elyses Paris, FR. [28], After her performances at the Met in early 2014, Oropesa's summer schedule included many concerts. Her concert was hailed as "One of the most memorable concerts in the 39 year history of the Rossini Opera Festival. This time, her stage partner was Supreme Court Justice, Ruth Bader Ginsburg. [56] She spent the summer debuting the role of Norina in Don Pasquale at Glyndebourne where she received accolades in the role. She does not have her theatrical madness either. She has a wide repertoire that includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet and Puccini. [100] On May 7, Lisette released her first album with orchestra on the Pentatone label, titled, Ombra Compagna,[101] Gramophone said "Oropesa's vocal finesse and dramatic insight make this a debut recital of rare pedigree. Verdi: La Traviata. [57] She was next heard in Paris for a concert of Falstaff with the Orchestre de Paris where she announced it would be the last performance of Nannetta she will sing. [41] She went onto another extremely successful debut in La traviata at the Philadelphia Opera "Oropesa manifested secure technical chopstrills, staccati, pinpoint dynamics andmost impressivelya long, sustained line that allowed her to hold the audience breathless in both "Dite alla giovine" and the party scene ensembles". After the concert, he was presented with an opportunity to join the star in an impromptu duet, unbeknownst to everyone . She made her Met debut in a small role in Jean-Pierre Ponnelle's production of Idomeneo, conducted by James Levine in September 2006, and then sang First Lay-Sister in their new production of Suor Angelica. Discover today's celebrity birthdays and explore famous people who share your birthday. Despite Rebeccas insistence that Lisette would make a talented vocalist, a teenage Lisette didnt yet put her focus there. Now, as she lays dying, she says farewell to her happy dreams . According to The New Orleans Advocate, she "offered a fine display of vocal versatility, from the lilting coloratura of a young woman in love to the confusion and anger of the object of the lascivious intentions of her overlord, Count Almaviva". In 2017, she started her year at the Lausanne Opera, performing her first Ophlie in Hamlet. [114] She then returned to the Vienna State Opera to sing as Lucia in Lucia di Lammermoor where her "technique is astonishing and she was in absolute command. Oropesa finished off the year, returning to Rome to debut at the Teatro dell'Opera di Roma to perform in Rigoletto. I kind of let it go and started studying voice, and its the best thing I ever did because being a flute player helped me be a better singer, so Im grateful it worked out that way.. Who Is Lisette Oropesa's Husband? For her performance she was hailed as being "perfetta la Gilda". "The Silken Ladder" - Dormont is the teacher and guardian of the beautiful Giulia, and he is determined that she will marry Blansac despite her continual rejection of his advances. La Traviata REVIEW: Lisette Oropesa breathes new life into Verdi's most popular. De nuevo, una gran figura de la pera mundial, la estadounidense-espaola Lisette Oropesa, cuyas races personales y artsticas ahondan en lo hispnico, ha debutado en el coso de la Calle de Jovellanos, convocndonos a un recital -acompaada por el pianista Rubn Fernndez Aguirre - diseado con una atractiva mezcla de distintas esencias Fresh off her "exceptional" run as Norina in Mariame Clment's Don Pasquale at this summer's Glyndebourne Festival, soprano Lisette Oropesa is gearing up to sing the title role in the first revival of Katie Mitchell's controversial production of Lucia di Lammermoor at the Royal Opera House. La Traviata REVIEW: Lisette Oropesa ( born September 29, 1983 ) is American! 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