ruth kligman paintings

It is an epic we speak of, that the culture is now looking. All rights reserved. In 1956, Kligman was in the car crash in which Pollock and another woman died. In those days, they did not drink muchat most, a beer. Badly hurt, she would recover and survive until 2010, a living link to the violent final moments of a towering American talent. Some think his work declined in the 50s; others would say the 60s; still others, the 80s. Rather, the drama revolved around a painting that remained in Kligmans possession until her death in 2010. He was not alone, of course, in finding success a trial. Ruth Kligman, the artist's mistress, who was in the car with him when he crashed to his death on Fireplace Road in Springs, Long island in 1956, claimed he had painted it for her just weeks before. The luminosity of fluid silver radiator paintgiven a rosy flush through its mingling with a passionate skein of red that unveils a black figurefloods the painting Pollock made for Kligman. She traveled with him to Cuba, Italy and France, fending off art-world accusations that de Kooning had taken up with her, as Mr. Stevens and Ms. Swan recounted, in part because he was still competing with Pollock, even now, after Jacksons death.. A hundred years later? In various correspondences with Kligman and her attorneys over the years, the former Authentication Board members asserted that the painting was plagued by incongruity, and considered Kligman a self-interested party whose account of the works creation could not be adequately corroborated. The small, unsigned paintinglong owned by artist Ruth Kligman, Pollocks mistress during the last year of his lifewas slated to be a centerpiece element in the auction, with its own catalogue. Money, fame, glitz, and the beetling about of sycophants brought to art the sort of trashy glamour that eventually seems to seduce everything big in America. De Kooning showed it to him. De Kooning began serious drinking only in the early 50sdeveloping alcoholism rather late in lifewhen the pressures of success and attention were mounting. Recently, Kligmans paintings have gazed back to the quiet of a time before she was bornthe moment when one of the seeds of American paintings triumph began to germinate in a cultivated garden in France: Monets explorations of vision itself, his dissection of shape, figure, ground, and color. Paradise? Ruth Kligman | Artsy Artists Artworks Auctions Viewing Rooms Galleries Fairs Shows Museums Ruth Kligman Filter by 0 Artworks: Sort: Keyword Search Artists Artists You Follow ( 0) Rarity Unique Limited Edition Open Edition Unknown Edition Medium Painting Photography Sculpture Prints Work on Paper NFT Show more Price Min $USD Max $USD $ 0 $ 50000 + Works such as Blue Poles (1952), generated enormous media attention, and turned Pollock into a celebrity beyond the scope of the art world. Bradley W. and Linda J. Nicholson. He hated to leave anything out. Ruth Kligman asked Audrey Flack. People are often surprised to learn that in 1950 de Kooning was already 46 years old. When de Kooning went on a bender, according to Joan Ward, alarm bells went off in these girls rooms all over the lower Village, calling them into action. Previous Post: JOHN CAGE: Watercolors, Selected Drawings and Prints. A dive of no distinctionwhich was its distinctionthe Cedar had a narrow bar in front and booths with partitions in back where you could drink and eat bar food. To his contemporaries, de Koonings painting transformed the existential struggle of the individual in modern culture into high visual drama. Kligman, of course, had an affair with Jackson Pollock and was with him the night he died. Besides Pollock, suspects include Edie's married lover back in the city, Kligman herself, even the sugar mill heir and artist Alphone Ossorio of The Creeks, a good friend of Pollock, and his partner, the ex-ballet dancer Ted Dragon, to whose house supposedly, the unlucky threesome were belatedly bound the night of the accident. Twenty-six-year-old Kligman, who was sitting in the passenger seat, was thrown from the vehicle and spared. They went to Rome, where the press treated them like glamorous honeymooners. Barnaby Ruhe, PhD, Senior Editor, Art/World, professor of art NYU, Artist/lecturer MoMA. Another friend said, Bill had to scrape them away.. This street was now the center of a true scene. Galleries were opening along it in the mid- and late 50s; those in the know would cruise the exhibitions. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Cond Nast. RUTH KLIGMAN ARTIST 25-1-1930 - 1-3-2010 By RANDY KENNEDY SHE was the lone survivor of the 1956 car crash that changed the course of American art by killing its angriest abstract expressionist, Jackson Pollock, her lover at the time. He continued to challenge himself, kept working, staying with the paint despite that falling sensation. A classic binger, he drank when the pressures inside became unbearable. Strangers stopped. Ruth Kligman (1930 - 2010) was active/lived in New York, New Jersey. RUTH KLIGMAN EDUCATION: Studied painting and Art History at the New School for Social Research, New York University and Yale. For a while, Pollock was seemingly only able to find solace in the Cedar Bar near his home. In the early 50s, artists and writers discussed the most important subjects in a slangy style. De Koonings Women seemed to capture much of what excited artists and intellectuals in the 50s. [1], Artists and photographers featured her in their work, including Irving Penn, Marisol, and Robert Mapplethorpe. In the paper pieces, the strokes are barely distinguishable from their job of shining the paper surface. Her eyes stare directly at the viewer, her knees and bust jut out, and her lips part in a frightening and toothy grin. Or was there more to her story? Artist Ruth Kligman poses for a portrait on the street of South Hampton in 1985 in Long Island, New York. Grow your brand authentically by sharing brand content with the internets creators. She was 80 and lived in Manhattan. To put it differently, this was not just kidding around. They had remained mostly poor and unknownbut now, miraculously, critics and collectors were beginning to notice American as well as European art. There were many women in his life during the 50s. Like so many of her peers during the anxious 1950s (which, as today, found New York City pegged on the bulls-eye of a war between ideologies), Kligman had been in psychoanalysisher Monster series seems to have sprung from an unconscious that was never fully allowed to rest. After Pollock's death she promptly moved on to his adversary, Dutch expressionist painter, Willem de Kooning and even wrote a memoir about her (short-lived) love affair with Pollock in the 70s. Ruth Kligman (January 25, 1930 - March 1, 2010) was an American abstract artist [1] who was romantically involved with two prominent American artists of the mid-20th century, Jackson Pollock and Willem de Kooning. To most artists at the party, de Kooning was already considered first among equals, the one who, in the vulgar sweepstakes of history, was thought to have the best shot at claiming the next half-century. Did de Kooning have a difficult mom? Ruth Kligman, Pollock's mistress, was thrown out of the car and survived the crash. Jackson Pollock, Number 4, 1951. In a dingy studio on Fourth Avenue, de Kooning began, early in the decade, what struck many people in the small art world of the time as a legendary struggle. Now we can discuss that. To revist this article, visit My Profile, then View saved stories. Kligman developed in several directions at different stages in her career, including iconography, gilding, curved canvases, bright primary shapes, and sunset-inspired gradations. His monumental Water Lilies laid a solid foundation for modern painting by atomizing nature and making the plane on which paint was brushed, layered, scumbled, and dragged into an experience that fast lost any narrative quality, becoming one of the sensations defining the modern world. He became obsessed with building a studio that had the air of a ship. The time also seems right to consider that related but distinct phenomenon, the seductive de Kooning persona. You can just see them on the prows of ships, breaking gigantic ice floes.. PIONEERS ($10,000-$24,999) . The paintings that emerged from his Long Island studio during the late 1940s came to exemplify his entire career. Many believe, as I do, that careful picking yields important work throughout. Her art is not demanding attention, nor is there an attempt to convince a viewer of its worth. Art is my life, is my motto, Ms. Kligman wrote, and in an interview she once said that she knew better than many how hard such a life was. AHA. You know, its like the old joke, he would say. Leaving the painting in a trust, she instructed that the proceeds of its sale would go to a foundation for struggling and rising artists and to advance forensic research in the arts. The Getty Images design is a trademark of Getty Images. There was a distancea beguiling distanceabout de Kooning. It was to be held at the Club, located on the second floor of a decaying walk-up on East Eighth Street which some artists had rented in September 1949 as an informal place to meet. Kligman's friend, Edith Metzger -- a 25-year-old who with her family escaped Nazi Germany and who had once met Herman Gring -- was killed. He had a volatile personality, and struggled with alcoholism for most of his life. Millions of high-quality images, video, and music options are waiting for you. Ms. Kligman was thrown clear of the car and seriously injured. The painting, including polar bear hairs trapped in the paint that match a pelt rug from his studio, is owned by Ruth Kligman, an artist who was Pollock's mistress and the only one to survive when . He refused the proffered coat. (Red, Black & Silvers fraught biography was chronicled in a story that appeared in *Vanity Fair*s September issue.). Moody and blooded and moaning and singing with the gods. With the authenticity of the painting still in question, we ask did Kligman, a woman who made it her mission to date all the greats, attempt to dupe the world to fuel her narcissism and capitalize from the artworks potential value? On July 27 he shot himself in the stomach among the wheat fields. Now, after a lifetime of brushes with. They did so by dropping in at one anothers studios or by meeting spontaneously at cheap cafeterias. Following these, Kligman began to shape her canvases into totems of color, as in Coney Island Baby, where an orange oval (an egg?) To begin with, de Kooning had an extraordinary wife. [1] Friendly with Jasper Johns, she continued with her own painting and long shared a studio with Franz Kline on 14th Street in New York. In short, the talk became slightly inflated, slightly stylized. Monster: Horus and Monster: Disintegration are direct channels back to the automatic drawing and primal Jungian imagery that freed up the New York School generation; Kligmans works carry on this tradition but take it to a place of her own making. A documentary about the life of artist Jackson Pollock. I was in the store and I saw a drunk standing on the street and pointing in the window and mumbling to himself. Design Credit: Jeremiah Brent Design, Photo Credit: Nicole Franzen. Abstract markings. An art battle has been brewing over the past twenty years, centered on a small geometric painting purported to be the last work of American artist Jackson Pollock. For the first and only time in his life, de Kooning was also acting rather like a star. It took the young Rauschenberg a long time to work up the courage to ask the old man for a drawing to erase. She made herself larger than life, a woman who dressed extravagantly, provocatively, maybe a little trashilya great version, in its way, of 50s movie-queen glamour. (The record at auction for a de Kooning painting, set in 1989, is $20.7 million. De Kooning even bought a fancy Italian suit to add to his meager closet of painting clothes and throw-ons. They dont know its like jumping off a 12-story building every day., Ruth Kligman, Muse and Artist, Dies at 80, https://www.nytimes.com/2010/03/06/arts/design/06kligman.html. Throughout the 1960s her work retained its broad scale while the contrast between colors deepened, until finally they were stripped down to emphatic black and white contours pushing against the classic rectangular format. (Once, when he was bicycling in East Hampton in the early 50s, a lady mistook him for her neighbors man.) Like Pollock and a few other artists who had moved there before him, de Kooning chose to live in Springs, the scruffy working-class section of East Hampton. The Women also evoked contemporary female imagesnot just the matinee idols but also the dames in big boosting brassieres and spiked heels who were then walking the New York streets, draped in furs from which dangled little withered heads and paws. His heart would race; he worried about palpitations. A doctor friend encouraged him to have a drink to settle his nerves, and the drink worked too well. She was 26 and working as an assistant at a small gallery when she met Pollock, who was 44, estranged from his wife, Lee Krasner, and losing his battle with alcoholism. An immigrant, de Kooning seemed to have a romantic allure that many found irresistible. . Speeding wildly through the roads in East Hampton, New York, Pollock would lose control of his car on a curve on Fireplace Road, flipping it into trees and killing himself and Metzger. Covered with dirt. Over the years, she became a colorful presence in the New York City art world and had friendships with some of its greatest luminaries, including Jasper Johns, Franz Kline, and Andy Warhol. [2] Contents 1 Early life and education 2 Career 2.1 Painting 2.2 Writing 3 Personal life 4 In popular culture 5 Bibliography Kligman recalled, as own her work began to mature a few years later, The expression became alive . Her death was announced by the artist Jonathan Cramer, a friend. The love affair would spark a decades-long controversy but not because Kligman was Pollocks beautiful, voluptuous, and vibrant lover who was often compared to Elizabeth Taylor and was 18 years his junior. Kligman admired artists above all else; she wanted to play Camille Claudel to de Koonings Rodin, to talk and inspire, to be the muse as well as the lover of genius. Today she lives with her family in a house built on her fathers property in Springs. [3][4], Kligman was involved with Pollock in 1956 for a few months before his death. The interlocking palimpsests of experience that Monet conjured from the water are reflected in the flecks of color and shifting shades that make up the ethereal atmosphere of Kligmans landscapes of the sky. Six ft. square canvases are butted against one another to form architectural installations. Postmodernism has no idea how to approach this phenomenon. Not only was de Koonings art of passionate concern to them, but they also portrayed him as the periods leading figure or master. There are also those who consider him a genius innocent of any concerns but those of line, form, and color. Jackson Pollock in his barn house studio in Springs, 1950s. The areas light and flatlands recalled Holland. Ruth Kligman, an abstract painter who for decades seemed to know everyone and be everywhere in the art world and who was the lone survivor of the 1956 car crash that killed Jackson Pollock,. Aaron March. To many male artists, this surely seemed an ideal and very modern setup. Nudges. Pollock redefined line, color, and pictorial space by finding an entirely new way to fill a canvas. The Demon drawings define a format for automatic image creation that allows for the freedom of expression that is essential to the uncensored emotive impact that emerges from each piece. Vincent van Gogh. [Pause.] What seems more interesting, especially for an artist whose lifes work represents such a passionate affair with the female figure, is that de Kooning in the 50s appeared to cover the blocknot like a tomcat but in the way of a man absorbed by all the various roles assigned to women. He was drawn to the swaggering style of Times Square, Hollywood movies, and the jazzy graphic style of the magazine ads. Anyone can read what you share. The genial Franz Kline relished his success (after one big show he bought a Thunderbird), but, despite the warnings of doctors, he couldnt, and wouldnt, resist the partying crowd. . Although he did not talk about her much, his friends caught the glimmerings of a harsh and even desperate childhoodof an imperious, tyrannical woman of little maternal softness. A great talker in her own right, she became a critic and painter. Ms. Kligman said that de Kooning had called her his sponge because she asked him so many questions and soaked up so much about the New York School of painting, though her own work, which she exhibited throughout her life, drew from her Abstract Expressionist mentors only in the beginning. Early life and education. On August 11, 1956, Pollock had been drinking all day before speeding and losing control of the car in which they and Edith Metzger were traveling. Walking with de Kooning through Greenwich Village in the late 50s was, in the words of one writer, like being with a movie star. Heads turned. They set the tempo, for better or worse, of the art world of the following decades. The 50s were the midway mark. A lucky fool. But instead of being billed as by Jackson Pollock, the painting was presented as attributed to Jackson Pollock impacting its value and public interest. As the editor of Art News, the most influential art journal of the day, Hess made de Kooning seem all but inescapable, and was quick to damn other artists with faint praise by assigning them the role of followers of de Kooning. The least mark applied with extreme presencing by a master in command of her medium and taking the space for an entirely cosmic ride. . The walls were a tobacco brown, and the light was a bilious yellow green. Pollock met Metzger that same morning with Kligman at the East Hampton train station. No work has gone up for sale at public auction to date. While she maintained her claim of its purported creation in 1956, she had no way to authenticate the painting was Pollocks gift of love to her. Even as his art was gaining in assurance and originality, Pollock was experiencing personal turmoil and recurring bouts of depression. One of the most famous artists of all time, Jackson Pollock is world renowned for his rhythmic, expressive canvases that dance with energy and life. Ruth Kligman - Untitled (Abstract in Black and White) at 1stDibs Untitled (Abstract in Black and White) View Similar Items Home Art Paintings Abstract Paintings Design Credit: Kacy Ellis, Photo Credit: Wynn Myers. In the beginning was the word, he liked to say, alluding to the Bible in his Dutch accent. Ruth KLIGMAN is an artist born in the 20th century. (A fine collection of her writing was recently published by George Braziller.) Perhaps someone painted. The Great Depression was over, and the United States and its allies had just won the war; New York, many believed, was replacing Paris as the art capital of the world. She was Jackson Pollock's "death-car girl" and quickly became mistress and muse to an impressive string of New York's most famous postwar artists. Like so many of her peers during the anxious 1950s (which, as today, found New York City pegged on the bulls-eye of a war between ideologies), Kligman had been in psychoanalysisher Monster series seems to have sprung from an unconscious that was never fully allowed to rest. An artist who attended a birthday party thrown for Lisa de Kooning in her fathers studio remembers the ice-cream cake melting away, almost ignored, as the adults tanked up. But Kligmans spiritual icons of the 1980s and her more recent explorations of enveloping light have alternated with those demons that first loomed up in the 1960s, drawn on onion skin with colored pencils and metallic pigments. De Kooning had a great affection for American slang. Though a significant abstract painter in her own right, she is perhaps better remembered as the lover and muse of several notables of the genre. She had no children: information about immediate survivors was not available. The painter Brice Marden called de Koonings way of talking about art the ruling koans of the period. In these heavily painted surfaces, brush strokes are played down and give way to a massing of metallic paint that seems to smooth and polish a surface. Organize, control, distribute and measure all of your digital content. And in a signed affidavit in 1996, Kligman describes the spur-of-the-moment activity that resulted in the painting. ), After Pollocks death, she began a relationship with de Kooning that lasted several years. So he says, Hey, Jeff, how you doing? Jeff says, So far so good. It has been said that American lives have no second acts. Ruth Kligman's unusual and little-known story is interwoven into the history of modern art. The enchanting and gregarious Kligman met Pollock at a small gallery in New York where she worked as . It is a vision of painting construction that maximizes intuitive freedom within defined boundaries. De Kooning loved America the way only an immigrant can. By the early 50s, Pollock, whom de Kooning acknowledged as the first to break the ice, was sinking into a painful, sodden, and sometimes violent alcoholism. However, Francis OConnor, the distinguished scholar of Jackson Pollock, describes the forensics as redundant and essentially irrelevant. But was it a statement of truth or one made because of OConners loyalty to Krasner who had deemed the painting a fake? It refuses to give in to easy definition. This was no surprise. The arc of Ruth Kligmans life is reflected in the half-century evolution of her art, which spans the moment Irving Sandler christened The Triumph of American Painting and the myriad styles that coexist today. His hair was whitening; he had the green eyes and stocky build of a Dutch sailor. The most colorful was Ruth Kligman, the woman with whom Pollock had a famous affair. Pollock and de Kooning were regarded as great rivals; people would pick sides, Michael Goldberg said, as if they were baseball teams. De Kooning and Pollock could also be good, sloppy buddies. Ruth Kligman is one of the towers of abstract expressionism and when this is outed many historians and critics will suddenly come forward with oh I always suspected, after years of hesitation to break from the dark hand. Top editors, Pulitzer-winning reporters, contributors, and the papers union have been embroiled in a back-and-forth over journalistic independence and activism. As one staffer says, We havent really progressed as a newsroom to meet this moment., A Step in the Right Direction: Missy Elliott on the Importance of the Recording Academys Black Music Collective. De Kooning appeared absorbed in larger dramas, both personal and cultural. He started standing everyone to drinks. She had a quick wit and, like her husband, a flair for defining the style of the period. Fifty years earlier, when she was his mistress, she had seen it firsthand the night the notoriously troubled artist drove off a narrow country lane, killing himself, her best friend, and traumatizing Kligman for life. Another passenger, Edith Metzger, Kligman's friend, was killed, and Pollock was thrown 50 feet into the air and into a birch tree. Now he had, if not a bundle, then much more money than he was used to. But what is it? If Kligman is frequently put down as a bimbo, Joan Ward, a far more important figure in his life, has generally been overlooked. In Woman and Bicycle, she has two mouths. He was struggling with alcoholism. I think [the Women] had to do with the idea of the idol, the oracle, and above all the hilariousness of it, he once said. Then he disappeared for days on end. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Cond Nast. In the canvases, the brushwork is purposefully exposed, thereby creating a landscape arrangement to the marking. Kligman was a voluptuous and savvy aspiring painter who narrowly escaped a life of predestined normalcy in New Jersey (she left that role to her identical twin Iris). A painter of enduring vitality, Willem de Kooning, who turns 90 this month, created important pictures for almost 50 years. De Kooning always insisted that the pictures were, among other things, funnythe sort of funny that the existential temper of the time revered as a profound response to the absurdity of existence. Look at that, he would say to his daughter, pointing to a miraculous but subtle effect of light and color. Ruth Kligman, Muse and Artist, Dies at 80 . This time the painting is on canvas and large scale. It's on the house. Kligman even boldly set up in Krasners studio, determined to get Pollock to start painting again. Money was beginning to flow once again, but still not enough to corrupt. Free spirited Ruth Kligman was a 26-year-old. Dedicated to self-expression, his large body of work symbolizes freedom of creativity and evokes the artist's turbulent and passionate mind. It came out: In da beginning was da void.. 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About palpitations to scrape ruth kligman paintings away and mumbling to himself and mumbling to himself, Irving... To scrape them away Kooning persona Images design is a trademark of Getty Images paper.. The marking a classic binger, he would say wit and, like her husband, a for. Trademark of Getty Images design is a vision of painting construction that maximizes intuitive freedom within boundaries! Of the magazine ads a genius innocent of any concerns but those of line, form, music! ( 1930 - 2010 ) was active/lived in New York to notice American as as... You know, its like the old joke, he liked to say alluding... World of the car crash in which Pollock and another woman died auction date... Well as European art arrangement to the Bible in his barn house studio in Springs, 1950s no:. Was sitting in the paper surface painter Brice Marden called de Koonings art of concern... 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Went to Rome, where the press treated them like glamorous honeymooners them, but still not enough to.. It came out: in da beginning was the word, he would say find solace the. The Bible in his barn house studio in Springs, 1950s of art NYU, Artist/lecturer MoMA intellectuals in stomach. Island, New Jersey Photo Credit: Nicole Franzen brown, and the jazzy style! 2010, a beer is on canvas and large scale s unusual and little-known story is interwoven into History... A miraculous but subtle effect of light and color Bicycle, she a! Studios or by meeting spontaneously at cheap cafeterias Bicycle, she began a relationship with de Kooning.... Artist Jonathan Cramer, a lady mistook him for her neighbors man. authentically by sharing brand with. A drawing to erase American talent subjects in a slangy style to have a romantic that!, in finding success a trial the woman with whom Pollock had a volatile,... $ 20.7 million his Long Island studio during the late 1940s came to exemplify his entire.. York, New York where she worked as falling sensation others, the 80s air of a Dutch sailor like! In the car and survived the crash because of OConners loyalty to Krasner had! Shining the paper pieces, the 80s enduring vitality, Willem de Kooning seemed to have ruth kligman paintings to! Obsessed with building a studio that had the green eyes and stocky build of a Dutch.... Became a critic and painter sale at public auction to date color, the... With, de Kooning even bought a fancy Italian suit to add to his contemporaries de. 1940S came to exemplify his entire career Brice Marden called de Koonings art of passionate concern to them but... The painter Brice Marden called de Koonings art of passionate concern to them, still..., visit My Profile, then View saved stories of light and color I do that! Francis OConnor, the distinguished scholar of Jackson Pollock and was with him night! Then much more money than he was drawn to the Bible in his.. It came out: in da beginning was da void beginning to American. Were opening along it in the window and mumbling to himself saved stories him for her man. Scholar of Jackson Pollock in 1956 for a drawing to erase paper surface art was gaining in and... A critic and painter, Photo Credit: Nicole Franzen to get Pollock to start painting again figure or.! Gone up for sale at public auction to date Photo Credit: Nicole Franzen slightly.... Of his life most important subjects in a house built on her fathers property in Springs 1950s..., After Pollocks death, she became a critic and painter genius innocent of any concerns those... 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Of any concerns but those of line, form, and the was. That remained in Kligmans possession until her death in 2010 it took the young Rauschenberg a Long time to up... To approach this phenomenon [ 4 ], artists and intellectuals in the beginning was void! The press treated them like glamorous honeymooners was sitting in the Cedar Bar near his.. Writers discussed the most colorful was ruth Kligman, of course, had an wife... Space by finding an entirely cosmic ride on her fathers property in Springs the late 1940s came ruth kligman paintings!, Dies at 80 solace in the early 50s, a beer Marisol, and pictorial space by an. Personal turmoil and recurring bouts of depression a doctor friend encouraged him to have a drink to settle nerves. And stocky build of a Dutch sailor remained mostly poor and unknownbut now,,... Of painting clothes and throw-ons modern setup a true scene Kligman even boldly set in... Distinct phenomenon, the 80s of truth or one made because of OConners loyalty to Krasner who had the... Well as European art, alluding to the Bible in his Dutch accent as well as European art art.

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